by Marian Thurm ‧ RELEASE DATE: May 25, 2021
How about we stop treating each other like this so this excellent author can write happier stories?
Marriage doesn't work, people are selfish and cranky, fate is ruthless—and Thurm is watching.
In 15 stories dated from 1979 to 2021, arranged in not-quite-chronological order, Thurm's unsparing, ironic sensibility and killer eye for detail fall on couples and families in varying degrees of disrepair. Almost every significant character is divorced or heading for a breakup, widowed, or dumped on the way to the altar. The "pleasure palace" of the title story is a gigantic, luxurious master bath planned by a young couple just before they receive the cancer diagnosis that will make it a room for one. The two newest stories, appearing for the first time here, are among the bleakest. “Banished” (2021) shows the terrible cruelty of a grown daughter to her widowed father when he brings his new girlfriend to her 40th birthday party. In “End. of. Story.” (2020) it's not enough for the narrator to have a father with dementia and a mother going blind—his long-loved wife announces she's having an affair, and even his therapist is more concerned with her own problems than his. The last line of this story, and indeed the whole book, will shock you as much as if it really happened. Though her view of things is almost unremittingly dark, Thurm is always ready with a wisecrack to take the edge off. In "Personal Correspondence," a newly single, barely coping young father responds to a poster in the laundry room from a grad student in his building who offers to write letters for other people, thank-you notes and the like. As this situation heaps one humiliation after another on the protagonist, who seems to be a literary agent, he meets with a client. Having informed him that “Your color’s ghastly and there are these big pouches under your eyes,” she goes on to ask him to choose between her ideas for her next book. " 'So,' Kristine said, 'Ritalin or incest, what do you think?' ”
How about we stop treating each other like this so this excellent author can write happier stories?Pub Date: May 25, 2021
ISBN: 1-953002-04-8
Page Count: 300
Publisher: Delphinium
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
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by Marian Thurm
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by Marian Thurm
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by Marian Thurm
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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