An uneven collection that nonetheless solidifies Enríquez’s reputation as a purveyor of haunting and thought-provoking tales.
A dozen pitch-black Argentinean stories laced with body horror, self-incrimination, and existential dread.
Enríquez’s Our Share of Night (2023) earned her a prominent place among innovative South American writers, and the stories here deliver the same squelchy charms. The stories, mostly from the POV of women, offer some new perspectives in an already rich genre, while the horrors within range from pedestrian to Lovecraftian to surprisingly equal effect. Opening with a ghost epidemic and closing with dead-eyed children, in between Enríquez examines the human condition through a spattered lens of body horror and grotesque surrealism. Following the ethereal “My Sad Dead” and its portrayal of a lonely doctor looking after lost souls, things tend to bounce back and forth between the ordinary and the phantasmagoric. In the first of many everyday nightmares, the title tale tackles the story of Elisa Lam, a Canadian student whose body was discovered in a water tank on the roof of the Cecil Hotel in Los Angeles circa 2013. Twisting a real-life tragedy into a mystery involving suicide and a death cult only makes it that much worse. Some entries are more notion than narrative—“Face of Disgrace” extends the concept of faceless victims to its literal conclusion, while “Night Birds” and “Metamorphosis” both twist Kafka’s themes of transformation to their own purposes. “Hyena Hymns” takes the form of a ghost story of sorts, unearthing eerie imagery from the ruins of a wealthy landowner’s domestic zoo. Ironically, the stories are much more devastating when they don’t delve into the supernatural. Two childhood friends are marked by a game gone awry in “The Refrigerator Cemetery,” giving off vibes from Stephen King’s short story “The Body.” Meanwhile, a search for dresses results in unexpected self-discovery in “Different Colors Made of Tears,” and a painter’s obsession spirals into madness in “A Local Artist.”
An uneven collection that nonetheless solidifies Enríquez’s reputation as a purveyor of haunting and thought-provoking tales.Pub Date: Sept. 17, 2024
ISBN: 9780593733257
Page Count: 272
Publisher: Hogarth
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
SEEN & HEARD
SEEN & HEARD
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