Insidiously absorbing, like quicksand.
Twelve gruesome, trenchant, and darkly winking stories set in modern-day Buenos Aires, Barcelona, and Belgium.
One of the great advantages of genre fiction is its ability to use metaphor and distortion to explore realities that may otherwise feel too large or terrible to confront head-on. Enríquez, a journalist who grew up in Buenos Aires during Argentina's Dirty War—a trauma that echoes across these stories—is a pioneer of Argentinian horror and Spanish-language weird fiction, warping familiar settings (city parks, an office building, a stretch of neighborhood street) by wefting in the uncanny, supernatural, or monstrously human. Drawing on real places and events and spinning them out in fantastical ways, she disinters the darkness thrumming under the smooth, bureaucratized surface of urban life, exposing powerlessness, inequity, abuse, and erasure. Colonial Catholicism, pop culture, grotesquerie, and local legends intertwine in images of rotting flesh, altars that conceal their true nature, and ritual magic while themes of loss, fate, mental illness, state violence, fear and disdain for the other, and familial obligation—both the abnegation and upholding thereof—run throughout. In "Angelita Unearthed," a young woman lives with an unexpected burden of inherited grief. "Rambla Triste" introduces us to a woman visiting old friends in Barcelona who is soon confronted by a potent and inescapable reminder of the neighborhood's tragic, buried—and questionably authentic—past. In one firecracker, "Our Lady of the Quarry," a volatile mix of teenage vanity, jealousy, and rage leads to a summoning of dark powers and disproportionate revenge. And in the creepy and desolating "Kids Who Come Back," the lost, sold, and rejected children of Buenos Aires begin to return, sparking dubious joy out of even more dubious grief and exposing an entire populace steeped in guilt but determined to reject its culpability. As entertaining as it is affecting and channeled into English with almost clairvoyant percipience by translator McDowell, this is one not to be slept on for enthusiasts of weird fiction and literary horror and of writers like Samanta Schweblin, Amber Sparks, Ayse Papatya Bucak, and Carmen Maria Machado. An atmospheric assemblage of cunning and cutting Argentine gothic tales.
Insidiously absorbing, like quicksand.Pub Date: Jan. 12, 2021
ISBN: 978-0-593-13407-8
Page Count: 208
Publisher: Hogarth
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
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