by Marianna Coppo ; illustrated by Marianna Coppo ; translated by Debbie Bibo ‧ RELEASE DATE: Feb. 6, 2018
Lending itself to a range of readings, from perspective to an exploration of identity, this Italian import is a pleasingly...
A well-crafted conversation starter that touches on many themes, including perspective, relevance, and potential.
Meet Petra, a smooth gray oval of possibility. When first encountered, Petra appears to be an ancient mountain, one that loomed high above dinosaurs and inspired knightly quests. When the perspective changes via the introduction of a canine, readers see that Petra is a large pebble. The encounter with the dog (and its white owner) causes Petra to believe in turn that she is an egg in a nest and then (once exiled by a parent bird) an island in a pond. With each encounter, Petra’s optimistic outlook never dampens: “Whatever I become, I’m bound to be amazing!” She is eventually claimed by a young white child and painted to look like an elephant. At book’s end, Petra wonders, “What will I be tomorrow? Who knows? Well, no need to worry. I’m a rock, and this is how I roll.” Coppo accomplishes a lot with a little. Her illustrations—a mixture of tempera, pastels, and digital collage—are simple but emote mountains. Petra’s facial expressions mirror the text elegantly, often with the subtlest shift of pupil orientation or a minor change in the shape of the mouth. The result is a book that will work in both large storytimes and intimate lap reads.
Lending itself to a range of readings, from perspective to an exploration of identity, this Italian import is a pleasingly intelligent book. (Picture book. 4-8)Pub Date: Feb. 6, 2018
ISBN: 978-0-7352-6267-6
Page Count: 48
Publisher: Tundra Books
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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