by Marianna Mayer ‧ RELEASE DATE: Sept. 29, 1999
PLB 0-688-11555-1 The Iron John legend, probably best known in its incarnation as the Grimms’ tale of Iron Hans, is handed a significant tinkering by Mayer, to give it new ethical dimensions. The bones of the tale remain, still ripe for Freudian interpretation, of the King’s son who frees the wildman from imprisonment and goes to live with him in the wildwood; he is sent away days later, only to learn that years have passed, finds work at a castle, becomes a mysterious knight, marries the princess, and lives happily ever after. To make him a thoroughly modern man (in this story, the boy’s name is Hans), Mayer has him ask for the protection of the wildwood, thus demonstrating his environmental awareness. And when Iron John appears at the end of the story, it is not simply to bestow great wealth upon Hans—“Riches mean little to me”—but to praise his adopted son as an exemplar of generosity and kindness. The story is energized by good pacing and unadorned language, while the artwork is as robust as the wildman himself. For young feminists, Hans’s proposal will please: “I wish for your daughter’s love, but this cannot be given as a prize. It is hers to give freely or not at all.” The message of the peaceable kingdom is not subtle, but it is worthy. (Picture book/folklore. 5-9)
Pub Date: Sept. 29, 1999
ISBN: 0-688-11554-3
Page Count: 40
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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adapted by Charlotte Craft ‧ RELEASE DATE: April 1, 1999
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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adapted by Lise Lunge-Larsen & Margi Preus ‧ RELEASE DATE: March 1, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
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