Though it’s too bad Daisylocks’ botanical name (Bellis perennis) is never used, it’s nevertheless an inventive introduction...
The story of a daisy seed looking for the best place to grow is here used as a tool to introduce different habitats.
Dissatisfied with where she’s first planted, Daisylocks—the reference to Goldilocks becomes clear as the pages turn—asks Wind to assist her, and across the pages she arcs, looking rather a lot like a dandelion seed with a contrail. First, Wind takes her to the desert, which is too hot. The tundra is too cold, and the wetlands are too wet. Daisylocks and Wind banter, till Wind gets rather exasperated, pointing out finally that where she was originally planted was the only place that was “just right!”—and that is where she ends up. A large, clear sans-serif type allows the text to stand out, in black or white, against hyper-realistic, close-up double-page spreads of rain forest, beach, mountain and so on, all full of plant and animal life. The bottom right-hand corner of each spread shows the growth of an actual daisy, from tiny seed to full flowering, and that’s lovely. Backmatter on plants and habitats is included (and can be reproduced for educational use); other such items can be found on the publisher’s website.
Though it’s too bad Daisylocks’ botanical name (Bellis perennis) is never used, it’s nevertheless an inventive introduction to habitats. (Picture book. 6-8)Pub Date: March 1, 2014
ISBN: 978-1-62855-206-5
Page Count: 32
Publisher: Arbordale Publishing
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...
A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.
Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”
“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)Pub Date: April 11, 2017
ISBN: 978-1-5107-2083-1
Page Count: 40
Publisher: Sky Pony Press
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
Readers (and listeners) will think that this book is the bee’s knees.
Children will be buzzing to learn more about honeybees after reading this story.
Hall takes her readers on a sunny romp through a springtime pasture abuzz with friendly honeybees in this bright and cheerful picture book. Hall’s rhyme scheme is inviting and mirrors the staccato sounds of a bee buzzing. At times, however, meaning seems to take a back seat to the rhyme. The bees are suggested to “tap” while flying, a noise that adult readers might have trouble explaining to curious listeners. Later, the “hill” the bees return to may elicit further questions, as this point is not addressed textually or visually. Minor quibbles aside, the vocabulary is on-point as the bees demonstrate the various stages of nectar collection and honey creation. Arsenault’s illustrations, a combination of ink, gouache, graphite, and colored pencil, are energetic and cheerful. Extra points should be awarded for properly illustrating a natural honeybee hive (as opposed to the often depicted wasp nest). The expressive bees are also well-done. Their faces are welcoming, but their sharp noses hint at the stingers that may be lurking behind them. Hall’s ending note to readers will be appreciated by adults but will require their interpretation to be accessible to children. A sensible choice for read-alouds and STEAM programs.
Readers (and listeners) will think that this book is the bee’s knees. (Picture book. 6-8)Pub Date: May 8, 2018
ISBN: 978-1-4814-6997-5
Page Count: 48
Publisher: Atheneum
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
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