What habitat is left for Berkes to explore? Readers and teachers will hope at least one.
Berkes continues her “Over in the Meadow”–based series of early science books with this look at animals that live in the mountains.
This diverse habitat can be found on every continent, and Berkes does a nice job of including at least one mountain range from each and identifying and mapping it on details that accompany the illustrations as well as on a large world map in the backmatter. Most of the verses scan well, whether read or sung, though readers may stumble on the gorilla verse: “Over on a mountain / Where leaves and berries thrive, / Lived a shy mother gorilla / And her little babies five.” The animals range from the familiar—emperor penguins and pandas—to those that may be new to young readers—Alpine ibex and wombats. Llamas, snow leopards, eagles, mountain lions and yaks complete the menagerie. As with most in this series, the artwork stands out for its beauty and craftsmanship. Dubin’s textured cut- and torn-paper illustrations evoke both animals and habitats—fur looks soft, rocks look hard, and one can almost smell the greenery, though the scenes are less realistic than cute. And the backmatter adds significantly to the learning experience with paragraphs about mountain habitats, the featured animals and the bonus hidden animals. Author’s and illustrator’s notes give hints on how to extend the fun and learning and tell how the art was created.
What habitat is left for Berkes to explore? Readers and teachers will hope at least one. (music score) (Informational picture book. 3-7)Pub Date: March 1, 2015
ISBN: 978-1-58469-518-9
Page Count: 32
Publisher: Dawn Publications
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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