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OTTO AND PIO

The pacing and feelings ring true in this heartwarming depiction of someone accustomed to being the center of his universe...

In this French-Canadian import, when a mysterious pod appears on the branch outside his home, a squirrel must decide the limits of his responsibility for the creature within.

At first, Otto steps over the sphere. Even when it hatches and a white fur ball calls him “Mommy,” the homeowner rushes inside: “Otto wasn’t curious, but he was cautious.” Eventually relenting, he offers the baby a spot in his hammock. Each day, the critter grows at an alarming rate, eating hazelnuts, occupying more sleeping space, and inadvertently breaking furniture. All the while, the bushy-tailed protagonist searches for the mother, to no avail. Conflicted, but cramped, Otto stomps off, ignoring his own advice to be watchful of the eagle. In the nick of time, he is rescued from menacing talons, and Otto decides that renovations to expand his property are in order. Convincing dialogue provides the emotional arc, while Dubuc’s pencil-and-watercolor scenes depict the cozy woodland life that animal lovers fantasize about. Close-ups reveal curtains at the home’s window and a lantern illuminating the entrance; Pio, as the creature calls himself, prepares a soothing vegetable stew and strings colorful yard decorations to please his hardworking host. Longer views show the bulk of the tree and the starlit sky beyond.

The pacing and feelings ring true in this heartwarming depiction of someone accustomed to being the center of his universe but who responds to the impulse of hospitality and friendship. (Picture book. 4-7)

Pub Date: March 19, 2019

ISBN: 978-1-61689-760-4

Page Count: 68

Publisher: Princeton Architectural Press

Review Posted Online: Dec. 15, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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