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KAIA AND THE BEES

Could be just the ticket for turning bee-phobes into beekeepers.

A young beekeeper goes from reluctance to enthusiasm with some coaching from Dad.

Kaia’s brave about almost everything—except for bees. This is a problem, because Kaia’s dad keeps two hives on the roof of their apartment building. Dad drones on and on about the importance of bees to the foods Kaia loves, but that doesn’t make Kaia want to go near them. However, Kaia talks a big beekeeping game with the building’s other kids—only to be found out when a bee landing triggers a public display of fear. Resolved to walk the beekeeping walk, a suited-up Kaia ascends with Dad to the roof, where up-close examination of a frame of bees softens the fear—until Kaia unwisely takes off a glove and is stung. The bee boycott resumes, till two bees accidentally enter the apartment on honey-harvest day, and Kaia bravely opens the window to let them out. Beekeeper Boelts infuses her narrative with both appropriate vocabulary and empathy. Narrator Kaia realistically articulates ambivalence: On the one hand, working the bees makes Kaia feel “electric”; on the other, bee stings hurt! For the most part Dominguez accurately depicts apiary equipment and practices in her friendly cartoons, and she peoples the story with a diverse cast not typically seen in kids’ books about beekeeping. Kaia is biracial, with a black dad and white mom.

Could be just the ticket for turning bee-phobes into beekeepers. (Picture book. 4-8)

Pub Date: March 10, 2020

ISBN: 978-1-5362-0105-5

Page Count: 40

Publisher: Candlewick

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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  • Kirkus Reviews'
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  • New York Times Bestseller

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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