Could be just the ticket for turning bee-phobes into beekeepers.
A young beekeeper goes from reluctance to enthusiasm with some coaching from Dad.
Kaia’s brave about almost everything—except for bees. This is a problem, because Kaia’s dad keeps two hives on the roof of their apartment building. Dad drones on and on about the importance of bees to the foods Kaia loves, but that doesn’t make Kaia want to go near them. However, Kaia talks a big beekeeping game with the building’s other kids—only to be found out when a bee landing triggers a public display of fear. Resolved to walk the beekeeping walk, a suited-up Kaia ascends with Dad to the roof, where up-close examination of a frame of bees softens the fear—until Kaia unwisely takes off a glove and is stung. The bee boycott resumes, till two bees accidentally enter the apartment on honey-harvest day, and Kaia bravely opens the window to let them out. Beekeeper Boelts infuses her narrative with both appropriate vocabulary and empathy. Narrator Kaia realistically articulates ambivalence: On the one hand, working the bees makes Kaia feel “electric”; on the other, bee stings hurt! For the most part Dominguez accurately depicts apiary equipment and practices in her friendly cartoons, and she peoples the story with a diverse cast not typically seen in kids’ books about beekeeping. Kaia is biracial, with a black dad and white mom.
Could be just the ticket for turning bee-phobes into beekeepers. (Picture book. 4-8)Pub Date: March 10, 2020
ISBN: 978-1-5362-0105-5
Page Count: 40
Publisher: Candlewick
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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