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THE QUEENS OF CRIME

A routine whodunit enlivened by the byplay among the author sleuths and their determination to stand up to the patriarchy.

Five real-life luminaries from the Golden Age of detective fiction team up to solve a murder.

Five months after nurse May Daniels disappeared during a day trip in October 1930 from a railway station near Boulogne-Sur-Mer, a farmer finds her bloody body strangled to death. The French police, unconcerned about the damage they’re doing to the victim and her family, announce on scant evidence that May—whose companion, nurse Celia McCarthy, last saw her entering a ladies’ room she never emerged from—was a drug addict who deserves few tears. By that point, the title quintet—Dorothy L. Sayers, Agatha Christie, Baroness Emma Orczy, Ngaio Marsh, and Margery Allingham—have already sprung into action. Their original motive for traveling to France, proving themselves the equals of G.K. Chesterton and the rest of their condescending male counterparts in the newly formed Detection Club, has morphed into a deep sense of connection to the dead nurse and “an urgent quest to do right.” Working mostly with the reticent, brainy Christie, Sayers, who serves as narrator, methodically retraces May’s last movements and works backward to figure out what she was doing before she and Celia embarked on their trip. Their most promising leads implicate Louis Williams, the son of Mathers Insurance founder Jimmy Williams, as May’s benefactor, beau, and killer. But no reader who’s spent time with any of these writers’ own books will believe that the actual solution will be as simple as that.

A routine whodunit enlivened by the byplay among the author sleuths and their determination to stand up to the patriarchy.

Pub Date: Feb. 11, 2025

ISBN: 9781250280756

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Dec. 11, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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FRAMED IN DEATH

High art meets low life in a tale a lot more sympathetic to the latter.

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Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.

In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.

High art meets low life in a tale a lot more sympathetic to the latter.

Pub Date: Sept. 2, 2025

ISBN: 9781250370822

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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