Reader, lose no time in making Isabella’s acquaintance.
The second adventure (A Natural History of Dragons, 2013) for the doughty Isabella Camherst, a dragon-obsessed young lady of Scirland determined to pursue her research in an age when educating girls in science and philosophy is frowned upon.
Previously, Isabella accompanied naturalist and explorer Lord Hilford to chilly, mountainous Vystrana in search of rock-wyrms, during which time she lost her husband and subsequently gave birth to a son. Now, Hilford is organizing an expedition to the tropical continent of Eriga, where several new species of dragon await study. Rejecting stay-at-home motherhood, Isabella eagerly agrees to join the expedition. Too old and frail to travel himself, Hilford will be represented by his assistant, Thomas Wilker, who, as a commoner, faces obstacles similar to those Isabella confronts as a woman. Natalie, Hilford’s granddaughter, causes additional complications; refusing to be married off by her father, Natalie takes refuge with Isabella, who arranges to smuggle the girl along on the expedition. But Eriga, so they find, presents a whole new set of problems. Bayembe, their destination, is threatened by its warlike neighbor, Ikwunde, with only the jungle swamps of Mouleen, known as the Green Hell, between. So before her dragon research can proceed, scholarly yet iron-willed Isabella must negotiate male hostility and prejudice, political infighting, the commercial and imperial ambitions of the Scirlings, heat, disease, arrogant big-game hunters and the cultural imperatives of the Erigan people. And during her adventures in the Green Hell—the book’s finest section—Isabella will find sociology as important as natural history and the key to preventing a brutal war. This, the second of Isabella’s retrospective memoirs, is as uncompromisingly honest and forthright as the first, narrated in Brennan’s usual crisp, vivid style, with a heroine at once admirable, formidable and captivating.
Reader, lose no time in making Isabella’s acquaintance.Pub Date: March 4, 2014
ISBN: 978-0-7653-3197-7
Page Count: 320
Publisher: Tor
Review Posted Online: Feb. 5, 2014
Kirkus Reviews Issue: Feb. 15, 2014
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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