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CARAMBA

A wry twist of the adage, “If pigs could fly” and the axiom, “Be true to yourself.” Caramba looks like any other cat but he is different—he can’t fly! Taunted by the other cats, his many attempts all fail so he gives up, wondering what is wrong with him. One day his cousins Bijou and Bug give him a flying lesson by holding his paws between them as they fly, and Caramba experiences the thrill of soaring in the air. “Don’t be a scaredy cat,” they cry as they let go, and Caramba flies—straight down into the ocean where he glides through the water, which feels just like flying: Caramba could swim! Airy, wavy watercolor, pencil and pastel illustrations blithely detail the trouser- or dress-wearing cats. Gay’s fluid lines and style, similar to her Sam and Stella books, are what make the quirky story appealing. Adults may wonder why the cat is named Caramba—there’s seemingly no rhyme or reason—but kids won’t care; they’ll enjoy his flight of discovery. (Picture book. 4-7)

Pub Date: Sept. 1, 2005

ISBN: 0-88899-667-5

Page Count: 40

Publisher: Groundwood

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2005

Awards & Accolades

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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