An invaluable resource for those working with children from resettled refugee families as well as host communities.
A touching story about adjustment, recovery, love, and friendship, told of a boy whose family moves to a new country due to war.
As Mustafa, a black-haired, brown-skinned boy who seems to be from Syria or Iraq, settles into his new environment, he observes everything around him: In the nearby park, there are green trees, flowers that look like his grandmother’s teacups, and bugs that resemble jewels. He also sees a blonde, white girl with a cat and runs away after she talks to him with words he cannot understand. When he visits the park the next day, he finds many new interesting things, among which is a perfect stick for drawing. He draws an airplane and a burning house and runs away again when the girl comes. She creates butterflies and flowers that erase the previous drawing. Mustafa later sees children playing and waves to them, but they don’t notice him. One day he hears a tune he already knows, but no one pays attention when he whistles along with it. “Am I invisible?” he asks his mom. “If you were invisible, I couldn’t hug you, could I?” she says. Eventually, the girl succeeds in communicating with Mustafa, and a new friendship is born. Gay’s customarily splashy, scratchy illustrations effectively depict Mustafa’s isolation and yearning even as her text carefully delineates what about his new home is familiar and what is strange.
An invaluable resource for those working with children from resettled refugee families as well as host communities. (Picture book. 3-8)Pub Date: Aug. 7, 2018
ISBN: 978-1-77306-138-2
Page Count: 40
Publisher: Groundwood
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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