A clear-eyed exploration about exposing hidden injustice that falls short in characterization.
Four high schoolers in small-town Colorado grapple with secrets and corruption.
Theo Robinson is a kindhearted student reporter, Kelsey Fink is a popular perfectionist, Payton Davis is a troubled loner, and Eden Randall was an artistic outcast. In their first-person points of view, which move forward and backward in time, they share their experiences connected to the fire that burned down their school and killed Eden. When the teens’ worlds collide, they create a plan to inform the world of the secret traumas they and their classmates have endured. After the fire, Theo, who’s trans and was one of Eden’s best friends, begins investigating alongside Payton. Payton and Eden were in love, and they’d wanted to leave their abusive home lives for a fresh start, a dream cut short by Eden’s death. Meanwhile, the students’ unity splinters as they hide information and disagree about what to disclose. Nijkamp’s latest is a topical assessment of the ways power and prestige can enable and cover up violence. Unfortunately, the narrators’ voices blend together, and the dialogue lacks personality, with characters speaking in cliches and indulging in exposition. Complexity and specificity are often sacrificed in favor of messaging. The twists and turns keep the story moving at a solid pace, but the mystery feels undercooked. Main characters read white, and there’s racial diversity in the supporting cast.
A clear-eyed exploration about exposing hidden injustice that falls short in characterization. (content note) (Thriller. 14-18)Pub Date: July 1, 2025
ISBN: 9781728291208
Page Count: 352
Publisher: Sourcebooks Fire
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
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BOOK TO SCREEN
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