by Marije Tolman ; illustrated by Marije Tolman ; translated by David Colmer ‧ RELEASE DATE: Aug. 13, 2024
A vibrantly presented reminder to stop and appreciate what we have.
Embrace the quiet moments in life while you can.
“Can you tell us the story about the Terrible Rush Era again?” a young hedgehog asks Grandpa. Back in the day, “no one had time to stop for a moment,” Grandpa responds. “In the Rush Era, everyone was always in a terrible rush.” In the accompanying image, a menagerie of animals race along the rugged terrain, leaving garbage and environmental destruction in their wake. Trailing their path of chaos is Quill the hedgehog, who, with a long green grabber, picks up the refuse they leave behind. Finally, Quill falls over with exhaustion after the trash becomes “too much for him to carry,” and he hibernates for the long winter. The forest denizens have a change of heart; they clean up after themselves and reevaluate their constant consumption, hailing Quill as the Forest Keeper. Young readers will see a parallel between the forest community and their own world, where material consumption and “go, go, go” attitudes prevail. While the story treads familiar ground, the illustrations are standouts. Tolman turned photos of the Scottish Highlands into risograph prints and applied mixed-media drawings on top to create the bright blue and pink hues of the landscape. Translated from Dutch, Tolman’s text scans well and would be a great candidate for a gentle read-aloud.
A vibrantly presented reminder to stop and appreciate what we have. (Picture book. 3-7)Pub Date: Aug. 13, 2024
ISBN: 9781646144525
Page Count: 32
Publisher: Levine Querido
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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