Artfully crafted, an engrossing and important collection of memories and moments from a pivotal time in American history.
The little-known story of the settlement that preceded Central Park.
Newbery and multi–Coretta Scott King honoree Nelson here re-creates Seneca Village, a path-breaking 19th-century Manhattan community that included the first significant assemblage of African-American property owners living alongside Irish and German immigrants. In a series of poems, Nelson constructs the lives of more than 30 characters based on names found in census records. Their story is at once celebratory and tragic, highlighting the struggles and triumphs of this transformative moment as dirt-poor Irish immigrants escape the potato famine of 1845, German immigrants struggle to make it in the New World, and African-Americans negotiate the transition from slavery to freedom and property ownership: “Freed by a miraculous codicil, / I find myself the owner of one me, / two slightly swampy lots, one deeeep well, / one one-room palace, and opportunity.” This incredibly integrated society comes to an end when the city executes powers of eminent domain to create Central Park. Nelson chooses prose narrative to connect these 40-some lyric fictional portraits that include schoolchildren, a mariner, a bootblack, a hairdresser, a musician, bar owners, lovers, and a fortuneteller, among others, along with poignant snapshots of famous historical figures Frederick Douglass and Maria Stewart, the first African-American woman to lecture on politics and religion.
Artfully crafted, an engrossing and important collection of memories and moments from a pivotal time in American history. (foreword, notes on poetic forms) (Historical fiction/poetry. 10 & up)Pub Date: Nov. 1, 2015
ISBN: 978-1-60898-196-0
Page Count: 96
Publisher: Namelos
Review Posted Online: Aug. 4, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories.
Percy Jackson takes a break from adventuring to serve up the Greek gods like flapjacks at a church breakfast.
Percy is on form as he debriefs readers concerning Chaos, Gaea, Ouranos and Pontus, Dionysus, Ariadne and Persephone, all in his dude’s patter: “He’d forgotten how beautiful Gaea could be when she wasn’t all yelling up in his face.” Here they are, all 12 Olympians, plus many various offspring and associates: the gold standard of dysfunctional families, whom Percy plays like a lute, sometimes lyrically, sometimes with a more sardonic air. Percy’s gift, which is no great secret, is to breathe new life into the gods. Closest attention is paid to the Olympians, but Riordan has a sure touch when it comes to fitting much into a small space—as does Rocco’s artwork, which smokes and writhes on the page as if hit by lightning—so readers will also meet Makaria, “goddess of blessed peaceful deaths,” and the Theban Teiresias, who accidentally sees Athena bathing. She blinds him but also gives him the ability to understand the language of birds. The atmosphere crackles and then dissolves, again and again: “He could even send the Furies after living people if they committed a truly horrific crime—like killing a family member, desecrating a temple, or singing Journey songs on karaoke night.”
The inevitable go-to for Percy’s legions of fans who want the stories behind his stories. (Mythology. 10-14)Pub Date: Aug. 19, 2014
ISBN: 978-1-4231-8364-8
Page Count: 336
Publisher: Disney-Hyperion
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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