A preschooler drags her father from his comfy bed for adventures on the landmark Brooklyn Promenade. Well-known as a tourist magnet for its striking views of Manhattan from across New York City's East River, the Promenade is also a haven for the urban residents. Singer's (The Circus Lunicus, 2000, etc.) well-chosen spare sentences describe the simple joys of early childhood, "What will she see today? / A blue car? / A yellow car? / A ship with a flag?" Delightful interactions of father and daughter, " 'Vroom! Zoom!' roars Didi. / 'Wide glide' says Daddy. / Side by side they pretend to ride." Singer masterfully captures the young girl's short attention span from page to page: vehicle spotting, petting puppies, listening to birds, cars, and music, dancing, meeting friends, sliding, playing in the sandbox—all of this on a ribbon of pavement built above the Brooklyn/Queens expressway. Parents will recognize the knowing refrain " 'Didi, go slow!' / But Didi says, " 'No!' ” The watercolor and pen-and-ink illustrations capture the distinctive qualities of each inhabitant enjoying the day, from the movement of the street musicians to the multitude of dogs, in addition to portraying the uniqueness of place—the wind blowing inland, the light on the river. Small details reflect a knowing eye while giving readers lots to examine. The sweeping panoramic views are strikingly reproduced on double-paged spreads and those who know the area can spot familiar sites from the Statue of Liberty to the twin towers on down to the Brooklyn Bridge. (author's note) (Picture book. 3-5)
Pub Date: March 19, 2001
ISBN: 0-618-04640-2
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Sweet.
A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.
With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”
Sweet. (Picture book. 3-5)Pub Date: Dec. 3, 2019
ISBN: 978-1-68412-910-2
Page Count: 32
Publisher: Silver Dolphin
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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