A visually and sonically stunning introduction to the importance of appreciating time and the change of seasons throughout...
The passing of the year celebrated round the world through verse and collage.
While many regard Jan. 1 as the first day of the calendar year, in this magnificent collaboration, Singer and Roth show that cultural observances of that new beginning happen each month. Presenting 16 celebrations from over 14 countries, they explore 12 months’ worth of events that mark time’s passage. “From the earth’s movement, / from the moon’s phases, / these clocks and calendars / we create. / Together /… / we / celebrate.” Such remembrances can involve purification rituals, whether “washing the bad away” in April, by cleaning house and starting “the new year right / with a gigantic water fight” in Thailand, or setting “the bad ablaze” in Ecuador, at midnight on Dec. 31, by burning giant effigies representing the “año viejo.” Scots look ahead to the “First Footer” (or visitor); Spaniards try to eat 12 grapes in 12 seconds for good luck—“so each new month will be sweet.” Throughout the collection, which opens like a wall calendar, each of Roth’s intricate collages animates Singer’s verse, bursting with texture in a riot of color. “Happy New Year” in 15 languages precedes extensive notes, a glossary and pronunciation guide, and an impressive list of sources.
A visually and sonically stunning introduction to the importance of appreciating time and the change of seasons throughout the world: a multicultural gem. (Picture book/poetry. 4-12)Pub Date: May 1, 2018
ISBN: 978-1-62014-162-5
Page Count: 48
Publisher: Lee & Low Books
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and...
Past and present are quilted together in this innovative overview of black Americans’ triumphs and challenges in the United States.
Alexander’s poetry possesses a straightforward, sophisticated, steady rhythm that, paired with Nelson’s detail-oriented oil paintings, carries readers through generations chronicling “the unforgettable,” “the undeniable,” “the unflappable,” and “the righteous marching ones,” alongside “the unspeakable” events that shape the history of black Americans. The illustrator layers images of black creators, martyrs, athletes, and neighbors onto blank white pages, patterns pages with the bodies of slaves stolen and traded, and extends a memorial to victims of police brutality like Sandra Bland and Michael Brown past the very edges of a double-page spread. Each movement of Alexander’s poem is a tribute to the ingenuity and resilience of black people in the U.S., with textual references to the writings of Gwendolyn Brooks, Martin Luther King Jr., Langston Hughes, and Malcolm X dotting stanzas in explicit recognition and grateful admiration. The book ends with a glossary of the figures acknowledged in the book and an afterword by the author that imprints the refrain “Black. Lives. Matter” into the collective soul of readers, encouraging them, like the cranes present throughout the book, to “keep rising.”
An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and our tomorrow. (Picture book/poetry. 6-12)Pub Date: April 2, 2019
ISBN: 978-1-328-78096-6
Page Count: 40
Publisher: Versify/HMH
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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