A visually and sonically stunning introduction to the importance of appreciating time and the change of seasons throughout...
The passing of the year celebrated round the world through verse and collage.
While many regard Jan. 1 as the first day of the calendar year, in this magnificent collaboration, Singer and Roth show that cultural observances of that new beginning happen each month. Presenting 16 celebrations from over 14 countries, they explore 12 months’ worth of events that mark time’s passage. “From the earth’s movement, / from the moon’s phases, / these clocks and calendars / we create. / Together /… / we / celebrate.” Such remembrances can involve purification rituals, whether “washing the bad away” in April, by cleaning house and starting “the new year right / with a gigantic water fight” in Thailand, or setting “the bad ablaze” in Ecuador, at midnight on Dec. 31, by burning giant effigies representing the “año viejo.” Scots look ahead to the “First Footer” (or visitor); Spaniards try to eat 12 grapes in 12 seconds for good luck—“so each new month will be sweet.” Throughout the collection, which opens like a wall calendar, each of Roth’s intricate collages animates Singer’s verse, bursting with texture in a riot of color. “Happy New Year” in 15 languages precedes extensive notes, a glossary and pronunciation guide, and an impressive list of sources.
A visually and sonically stunning introduction to the importance of appreciating time and the change of seasons throughout the world: a multicultural gem. (Picture book/poetry. 4-12)Pub Date: May 1, 2018
ISBN: 978-1-62014-162-5
Page Count: 48
Publisher: Lee & Low Books
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
St. Patrick’s Day will never be the same; beware, though: leprechauns who aren’t caught often take revenge by making messes.
Devious young scientists, engineers, and crafters will be solidly occupied with the 16 traps, three snacks, and 10 leprechaun tricks that are described here.
Each project comes with a level of difficulty, leprechaun appeal meter, list of materials, its STEAM connection (in a separate box listing topics touched upon and extensions), and numbered steps. The STEAM connections vary widely. Too many of the early projects that involve a stick propping up a trap lid have the same STEAM connection. Later projects, including a Leprechaun Run and a Marshmallow Catapult that talk about potential and kinetic energy and a Marshmallow Bridge that is heavy on the engineering piece, have more solid STEAM connections. “Did You Know” featurettes offer fascinating facts: Ireland has more sheep than people, and leprechauns used to wear red, not green. Readers will know to call a grown-up when they see the words “adult supervision” underlined in the directions, which also include “messy alerts.” The artwork is a mix of photographs, line drawings, and cartoons. Only two completed projects are photographed; the rest are digital illustrations. While this allows kids scope for their imaginations, some may need more help with the steps than the cartoons provide (particularly with the catapult). Photos show an array of diverse children working on the projects, although the disembodied hand holding scissors shown frequently is always white.
St. Patrick’s Day will never be the same; beware, though: leprechauns who aren’t caught often take revenge by making messes. (Nonfiction. 4-10)Pub Date: Feb. 1, 2018
ISBN: 978-1-4926-6388-1
Page Count: 96
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
