Connoisseurs of literary memoir will enjoy Jarre's precise way of capturing emotional experiences.
Midcentury European novelist Jarre (1925-2016) recalls the lifetime of dislocations that formed her changing sense of self.
Originally published in Italy in 1987, the book is translated by Goldstein, known for her work on Elena Ferrante's Neapolitan novels. Jarre’s memoir opens with Goldstein's comments and a critical introduction by Marta Barone, who is overseeing the reissue of Jarre's works in Italian, hoping to restore her to "her rightful place in Italian literature." Barone aptly characterizes the author's virtues in this lament: "Why have her extraordinary novels and her unique voice, cool and searching, yet ironic, tender, brutal, and astonishingly attentive to life and its details—why has all this, all together, not endured?" The memoir is divided into three parts: childhood, adolescence, marriage and motherhood. Born in Riga, Latvia, Jarre and her sister moved to Italy with their mother after their parents split up (her Jewish father later died in the Holocaust). They lived with their French-speaking, Protestant grandparents outside then-fascist Turin. Jarre shows how her writerly perspective emerged with this first dislocation. "Time entered my life when I arrived in Torre Pellice with my sister,” she writes. “It gave me for the first time a past…the story of my childhood was what remained to me of my preceding existence, since in the space of a few weeks I changed country, language, and family circle." She goes on to describe the herb garden that her mother planted in their new home. One of the throughlines of the book is Jarre’s difficult relationship with her seemingly cold mother. In the third section, in which she wrestles with the writing of this memoir, we see the two conferring about the details of that very passage. Like Nabokov's Speak, Memory, this book is more concerned with time and perspective than narrative storytelling, though Jarre is more like Ferrante in her lack of nostalgia and unflinching focus on the difficulties of relationships.
Connoisseurs of literary memoir will enjoy Jarre's precise way of capturing emotional experiences.Pub Date: June 22, 2021
ISBN: 978-1-939931-94-8
Page Count: 180
Publisher: New Vessel Press
Review Posted Online: April 20, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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