Longing to experience winter, a brown bear named Hiro shares a frosty evening with a newfound human friend.
Despite her parents’ warnings about the perils of the season, Hiro’s determined to find out about it for herself. She sneaks out while her family is hibernating and is enchanted by what she sees. Drawn to noises in the forest, Hiro happens upon a party. A chaotic multipage sequence depicts children in brightly colored winter gear scampering away. Only Émile, a pale-skinned child clad in a puffy coat that mirrors the color of Hiro’s fur, remains. In delightfully surreal style, the two sit companionably, comparing their lives before concluding that “being a bear or being an Émile is pretty much the same, in the end.” They leave for home, content. Like the marshmallows the pair bond over, this quietly meditative Belgian import is worth savoring; the tale is filled with delectable sensory imagery, from Hiro’s brothers who “wallow in honey-sweet dreams” to the “tiny white confetti” that falls from the sky. The warmly rounded, matte-colored mixed-media illustrations have a theatrical feeling, keeping the focus on Hiro’s emotional journey. Pages alternate between vignettes surrounded by copious white space and expansive full-bleed spreads, such as a dark, cozy page where the friends gaze at each other, wearing party hats the color of the fire.
Tranquility, camaraderie, and gooey marshmallows add up to one sweet combo.
(Picture book. 4-9)