Fiction that explores not only what it means, but why it matters.
An allegorical novella challenges readers to connect the dots and fill in the blanks.
Though the narrative is short, there is plenty to unpack here as the Mexican-born avant-gardist Bellatin conjures an imaginary Japan where convention is under challenge. Institutions seem to be crumbling beneath their smooth surfaces, and marriage is one of them. Mrs. Murakami has all but lost her identity and personality after marriage, with most of the story detailing her formative years as the schoolgirl Izu. She was bright and independent, constricted by the customs concerning single women, beset by her father’s health and legal issues. As an art student, she finds herself unwittingly in conspiracy with a charismatic professor and the editor of an influential magazine. The professor assigns her to write an analysis of Mr. Murakami’s art collection, which turns out to be a somewhat disparaging appraisal, and the magazine’s director wants to publish it. “ ‘Finally, someone dared to unmask a fraud whose collection rests on obsolete criteria,’ ” the director says. Yet her visit with Mr. Murakami had left him smitten, and despite a chill in the relationship after her piece was published, they married. Even so, his collection had been discredited, and there were rumors of scandal, that he was connected to “a criminal network that purchased used underwear from students at various all-girls schools and sold them to wealthy men.” In marriage, the two seem to know little about each other and care less. His death leaves his wife all but destitute, though she still has her garden, which he continues to haunt. Following the frequently footnoted narrative, the text concludes with an addenda of 24 numbered items, questions, and considerations for the reader, including a potential plot twist that suggests that “the true motivations of the story’s protagonists will never be known.” Bellatin is a playful novelist who isn't trying to hold the mirror to reality, provide allegory or philosophy or life lessons, and reading this provocative novella makes one consider all sorts of assumptions about "why read?" and "why write?"
Fiction that explores not only what it means, but why it matters.Pub Date: Oct. 6, 2020
ISBN: 978-1-64605-029-1
Page Count: 112
Publisher: Deep Vellum
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
