Plugged in together here are Vargas Llosa's two favorite thematic wires, prostitution and the military; the music that results is of a much lighter variety than the basso profundo of his earlier books. Captain Panteleón Pantoja is the very model of the perfect officer in the Peruvian Army, circa 1956: he neither smokes, drinks, nor makes illicit whoopee. Who better, so goes the thinking of the brass, to send to a small Amazon outpost where the garrison has been raping every local woman in sight? Captain Pantoja is ordered to devise a system of "specialists" whose job will be to drain off the troops' hots, and in no time there springs up a whole "Special Service" of hookers and pimps, all working for the army and shuttled about by plane and boat to the outreaches and the stray horniness therein. Running around the countryside meanwhile is a rogue evangelist by the name of Brother Francisco who advocates crucifixion as a purifying rite and who acts for the author as a balancing, complementary hysteria to "Pantiland"—Pantoja's roving cat-camp. Vargas Llosa tells the story through dreams, Army bulletins, newspaper stories, and a severely telescoped narrative (". . . enters the Paradise Ice Cream Shop, asks for coffee with milk, hears Captain Pantoja asking him isn't that the professor, the wizard? answers that's him"), but there's a sort of desperation of means here: anything to inflate a rather quiet joke. The quasi-scientific posturings of the modern military mind do come off smartly, but the satire is so local, tailored to such modest dimensions, that this is a book which seems forever to be clearing its throat before trying to involve us once again.
Pub Date: Jan. 9, 1977
ISBN: 0374522367
Page Count: 260
Publisher: Harper & Row
Review Posted Online: Sept. 28, 2011
Kirkus Reviews Issue: Jan. 1, 1977
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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