An indispensable volume for fans of Vargas Llosa, Latin American literature, and the art of great writing.
Conversations on politics and writing with the 2010 Nobel laureate in literature.
After he joined the Princeton faculty in 2002, Gallo met Mario Vargas Llosa (b. 1936) when the latter spoke at the university about his essay on Les Misérables. When Gallo then became director of the Latin American studies program, he invited Vargas Llosa to spend several semesters teaching there. Gallo has since gone through 50 hours of recordings and notes on the seminars he and Vargas Llosa conducted and has collected that information in this magnificent book. In the first chapters, Vargas Llosa discusses “the effect of the great political events of the twentieth century on literature,” followed by his thoughts on the role of journalism in his maturity as a writer. The bulk of the book consists of long discussions of five Vargas Llosa works: the novels Conversation in the Cathedral, The Real Life of Alejandro Mayta, Who Killed Palomino Molero?, and The Feast of the Goat; and A Fish in the Water, a hybrid that chronicles Vargas Llosa’s 1990 presidential campaign in his native Peru and a memoir of his youth. The book concludes with a spirited discussion on “the role of the intellectual in the face of the ever more real threat of terrorism.” Many thoughtful questions from Gallo and his students elicit provocative answers on an appealing variety of topics, including the perniciousness of dictatorships, the scourge and popularity of yellow journalism (“there is public pressure for journalism to also be entertainment”), and Vargas Llosa’s approach to writing (he uses “hidden details” that “hide the story’s main event,” a technique he learned from reading Hemingway). The result is a treasure trove of literary advice and political analysis. Vargas Llosa also offers relevant warnings on the ways in which democratic societies can corrode into authoritarianism, as when he notes the ease with which “truths become lies, and lies become truths.”
An indispensable volume for fans of Vargas Llosa, Latin American literature, and the art of great writing.Pub Date: Jan. 17, 2023
ISBN: 978-0-374-12901-9
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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