Of a piece with late writings by Hilton Kramer, Hugh Kenner, and even Steiner; sometimes pat but offering fresh...
From the renowned Peruvian novelist and essayist, a survey of where Western culture finds itself these days—which is mostly nowhere.
If the T.S. Eliot–inflected cultural criticism of the 1950s could be said to have a modern exponent, Vargas Llosa (The Discreet Hero, 2015, etc.), who won the Nobel Prize in Literature in 2010, might best wear the crown. (George Steiner is close, but he likes physics too much.) Vargas Llosa is conservative, arch, and classical; he agrees with his predecessor that the world of nuclear weapons and iPhones is “a blatant manifestation of barbarism” and that culture writ large is what makes life worth living. The essays in this collection take a predictably dim view of Marxism and of one unintended consequence of democratization, namely the democratization and dumbing-down of culture—with the “undesired effect of trivializing and cheapening cultural life.” There’s a certain get-off-my-lawn quality to some of Vargas Llosa’s complaints, but just when he seems to be falling into tired golden-age reveries, he turns on the heat. If people were better educated, he suggests, they’d be more worthy of democracy, but for the time being, they can’t be bothered to be bothered by the pandemic corruption that governs the world. If people were more cultured, we might have better cultures in which to live. If capitalism were less venal, then perhaps the cultural world would be less the province of “thinkers and artists with mediocre or zero talent but who are very bright and flamboyant, who are skilled self-publicists or who know how to pander to the worst instincts of the public.”
Of a piece with late writings by Hilton Kramer, Hugh Kenner, and even Steiner; sometimes pat but offering fresh interpretations and sharp criticisms of things as they are.Pub Date: Aug. 11, 2015
ISBN: 978-0-374-12304-8
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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