by Marion Billet ; illustrated by Marion Billet ‧ RELEASE DATE: May 14, 2013
Sugary, but just the ticket for tykes not yet up to more teeming I Spy–style panoramas.
Pastel collage scenes of small animals at work and play offer the Oshkosh set opportunities aplenty to interpret and respond to visual busyness.
The activities are captioned by a mix of descriptive comments and leading questions (“They can’t wait to eat their breakfast. Have you noticed that they all like to eat different things?”) and supplemented by strips of labeled details to spot. The story, such it is, describes a commune of 10 anthropomorphized animals who rise together and then go on to eat, play, visit a grocery store and a farm, and at last get ready for bed. Billet dresses her stylized, bright-eyed puppy, sheep, koala and other nursery schooler stand-ins in human clothing, places them against pale, flattened natural or urban backdrops, and surrounds them with easily identifiable tools, toys, foodstuffs, wildlife and other figures. Nine selected items parade across each spread’s bottom with a “Can you see…?” challenge and one-word (mostly) identifiers.
Sugary, but just the ticket for tykes not yet up to more teeming I Spy–style panoramas. (Picture book. 2-4)Pub Date: May 14, 2013
ISBN: 978-0-7636-6550-0
Page Count: 32
Publisher: Nosy Crow
Review Posted Online: Jan. 15, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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More by Stéphanie Babin
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by Stéphanie Babin , illustrated by Marion Billet , Hélène Convert Julie Mercier & Emmanuel Ristord ; translated by Wendeline A. Hardenberg
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illustrated by Marion Billet
BOOK REVIEW
by Marion Billet ; illustrated by Marion Billet
by Christopher Silas Neal ; illustrated by Christopher Silas Neal ‧ RELEASE DATE: March 27, 2018
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
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by Kate Messner ; illustrated by Christopher Silas Neal
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by Sneed B. Collard III ; illustrated by Christopher Silas Neal
BOOK REVIEW
by Jody Jensen Shaffer ; illustrated by Christopher Silas Neal
by Gary Urda ; illustrated by Jennifer A. Bell ‧ RELEASE DATE: Aug. 14, 2018
It’s nothing new, but it’s also clearly heartfelt.
A love song from parents to their child.
This title will seem quite similar to the many others about parents’ deep love for their children. The text is wholly composed of first-person declarations of parental love, and it’s juxtaposed with illustrations of the child with one or both parents. It’s not always clear who the “I” speaking is, and there are a few pages that instead use “we.” Most sentences begin with “I love you more” phrasing to communicate that nothing could undermine parental love: “I love you more than all the sleepless nights…and all the early, tired mornings.” The accompanying pictures depict the child as a baby with weary parents. Later spreads show the child growing up, and the phrasing shifts away from the challenges of parenting to its joys and to attempts to quantify love: “I love you more than all the blades of grass at the park…and all the soccer that we played.” Throughout, Bell’s illustrations use pastel tones and soft visual texture to depict cozy, wholesome scenes that are largely redundant of the straightforward, warm text. They feature a brown-haired family with a mother, father, and child, who all appear to be white (though the father has skin that’s a shade darker than the others’).
It’s nothing new, but it’s also clearly heartfelt. (Picture book. 2-4)Pub Date: Aug. 14, 2018
ISBN: 978-1-4998-0652-6
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
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by Gary Urda ; illustrated by Rosie Butcher
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