Next book

ALISON'S WINGS

Ignoring everyone's skepticism, Alison is sure that ``girl wings'' are about to poke out of her shoulder bumps. They do, sort of, but only when she's asleep. This entry in the Chapters series is simply and sparely written, but the episodes too often have disappointing outcomes. Brother Mike tells Alison to try flying off the porch; he amuses himself but all she gets is a bandaged knee. A playmate seems to share Alison's dream of flight, but gives up easily. Her parents surprise her with an airplane ride; she suffers through it silently and then smiles politely afterward. In the most satisfying chapter, Grandpa installs ``the nicest swing in the world'' on top of a hill: ``Here you are. Wings for a girl.'' But Alison will accept no substitutes, and the book ends much as it began, as she sinks into a nighttime dream of flying. Well-crafted, but prosaic and downbeat. (b&w illustrations, not seen) (Fiction. 6-8)

Pub Date: April 22, 1996

ISBN: 0-7868-0105-0

Page Count: 48

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1996

Next book

RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

Next book

BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

Close Quickview