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MAMA TALKS TOO MUCH

Despite vibrant, detailed cityscapes, Russo (When Mama Gets Home, 1998, etc.) does such a good job portraying a young girl’s boredom when her mother makes too many stops for conversation as they walk together to the supermarket that the story itself is tedious. Every stop that her mother makes turns into a gabfest that tries Celeste’s patience. To bide the time, she counts cars, pieces of jewelry, and the seconds between light changes at the intersection, until she can stand no more and gives her mother’s sleeve a tug: “Come on, Mama.” The tables turn briefly when Celeste stops to pet a puppy, but it isn’t a balanced enough counterpoint to her mother’s dawdling to make any point. The flat artwork presents enjoyable urban scenes, but all the talk is smothering, in what amounts to a multicultural odyssey—first is Mrs. Green (African-American), then comes Mrs. Walker (Caucasian), then Mr. Chan (Chinese), then Mrs. Castro (possibly Latina). The book is a grand example of showing instead of telling, but the show, unfortunately, is dull. (Picture book. 4-8)

Pub Date: Aug. 1, 1999

ISBN: 0-688-16411-0

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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MY FRIEND AND I

A skirmish over a favorite stuffed rabbit nearly destroys a friendship and the toy itself, but well-timed physical and emotional bandaging saves the day. When a little boy moves in next door to a little girl they quickly becomes friends and start sharing toys. This works well for cars, trucks, bears, and balls, but when the boy shows up with a new stuffed rabbit, cooperation goes out the window. In the ensuing tug-of-rabbit, each child yanks on the poor bunny’s ears until the stitching gives way. Figuring out a way to repair the rabbit also eventually patches up the friendship. Minor battles rage in homes and preschools everywhere, so children and adults alike will appreciate this subtle example of a peaceful resolution to toy disputes. Jahn-Clough’s pleasantly stubby children convey both healthy loud-mouthed anger and substantial charm. (Picture book. 3-8)

Pub Date: March 1, 1999

ISBN: 0-395-93545-8

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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KEVIN AND HIS DAD

There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)

Pub Date: April 1, 1999

ISBN: 0-316-79899-1

Page Count: 32

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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