Playing a wrong note strikes the right chord for a determined little girl in this winning children’s story.
In Bader’s picture book, a new nickname invites a new perspective.
Petunia is a little girl who believes that everything has its proper place and that anything done less than perfectly is unacceptable. (“If there was one thing Petunia knew, it was the importance of being PERFECT.”) Petunia has never heard of a “perfectionist,” but when she overhears her classmate call her one, she looks up the word in the dictionary and proudly shares her new nickname with her mother at home. Petunia isn’t convinced when her mother tells her that there are benefits to making mistakes…until the unthinkable happens and Petunia makes a mistake herself. Encouraged by her teacher and her classmates, this aha moment helps her understand what her mom meant. Bader’s engaging text misses an opportunity: While highlighting the word mistake in red likely represents Petunia’s attitude toward imperfections, it reinforces her aversion when another color would have better supported the book’s theme of mistakes promoting growth. The images of Petunia’s fastidiously organized coloring pencils and books in Beykzadeh’s illustrations highlight her perfectionism and the book’s warm color palette. When other characters are depicted in shadow form, Petunia’s hyperfocus is made distinct. Figuring prominently throughout, the color purple cleverly chimes with the alliterative title.
Playing a wrong note strikes the right chord for a determined little girl in this winning children’s story.Pub Date: Aug. 12, 2024
ISBN: 9798985768169
Page Count: 32
Publisher: M. Bader Media
Review Posted Online: June 7, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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