Stapley charmingly prefaces each chapter with a scientific tidbit about a particular animal or bird and its mating...
Stapley’s debut novel explores the evolving relationships among mother, daughters, sisters…and the men in their lives.
Free-spirited Helen has three grown daughters, each by a different father, none of whom she ever married. Firstborn Fiona struggles for control and perfection in her life; artistic Ilsa fears losing her creative energies and seeks happiness in the wrong places; Liane, the youngest and not yet married, finally learns to make her own decisions. The title may suggest a story of eternal love, and indeed, the tale begins with a toast “to marriage, and to the possibility that maybe love can be, if you really work at it, everlasting.” But Stapley’s premise is that it isn’t always possible, or even desirable, to stay in a lifelong partnership. Not one of the sisters has a perfect connection with her partner, and neither do they have ideal relationships with each other or with their mother. As the women resolve their sister-daughter issues, each gains perspective on her romantic liaison as well and, after soul-searching, either encourages it to grow or allows it to dissolve. So, no, this is not a happily-ever-after tale. Nevertheless, the characters find ways to create happiness that works for each of them. Stapley provides no significant new insights into relationships, but she weaves a credible story of personal growth and how it impacts family ties for better or worse. She’s gentle and nonjudgmental with her characters, allowing readers a peek into what motivates each one’s behavior. Readers may like one more than the others but will find themselves pulling for them all.
Stapley charmingly prefaces each chapter with a scientific tidbit about a particular animal or bird and its mating habits—perhaps an ironic nod to how similar people’s behavior is to animals’, for even the mate-for-life animals are, at times, unfaithful.Pub Date: July 1, 2014
ISBN: 978-1-4767-6202-9
Page Count: 336
Publisher: Washington Square/Pocket
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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