Fascinating essays (most original) by 15 African-American women of the civil-rights generation on their experiences of love, lust, and a powerful desire for freedom. In the mode of Terry McMillan's female characters speaking candidly to one another, these writers (edited here by novelist Golden: And Do Remember Me, 1992, etc.) share intimate details of- -and frank reflections on—their lives. In the opening piece, ``Tough Boyz and Trouble,'' Washington Post reporter Patricia Gaines interviews teenage girls waiting outside the D.C. city jail to visit their boyfriends; Gaines remembers how, before the days of guns and crack, she, too, briefly found tough boys erotically ``addicting''—until, one summer, her respectable parents had to bail her out of jail. In ``Uses of the Erotic: The Erotic as Power,'' the late poet Audre Lorde urges black women to recognize ``the kernel of the erotic'' within themselves and to expand it regardless of myths and images imposed upon them. In a striking pair of essays on interracial love, Essence magazine editor Audrey Edwards remembers fear, mutual misunderstanding, shared affection, and quite a bit of ``raw, unrelenting sexual pleasure'' in her affairs and relationships with different kinds of white men, and novelist Bebe Moore Campbell reexamines her pain and fury over black men who date and mate with white women. In ``Letting Go With Love,'' teacher Miriam DeCosta-Willis writes about the loss of long-term love and sex with her black husband, while in ``Black Men Do Feel about Love,'' psychotherapist Audrey B. Chapman analyzes the failure of communication between black men and black women as a failure to understand black men's isolation and fear of dependency. Other contributors include Tina McElroy Ansa, Marcia Ann Gillespie, Jewelle Gomez, Sonia Sanchez, and Ntozake Shange. Women on the cutting edge of sexuality, sexual ethics, and the exhilarating art of the personal essay.
Pub Date: Aug. 1, 1993
ISBN: 0-385-42400-0
Page Count: 256
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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