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GOTTLAND

MOSTLY TRUE STORIES FROM HALF OF CZECHOSLOVAKIA

A controversial, insightful work from Poland’s 2013 journalist of the year.

Impassioned, insightful snapshots of life in pre–Velvet Revolution Czechoslovakia.

Winner of the 2009 European Book Prize, acclaimed Polish journalist Szczygiel’s well-researched, unsunny volume of “mostly true stories” forms an indelible impression of the Czech population. His glimpses encapsulate the struggles of these hardscrabble citizens prior to the nation’s liberation in 1993, with strength and resilience as the operative themes threaded throughout. The sweeping opening biography focuses on the rise of innovative Czech entrepreneur Tomas Bata, who revolutionized the shoe manufacturing business using the Henry Ford assembly-line production model. The author also profiles the tangled life of actress Lida Baarova, who, for two years during her early 20s, became the mistress of Joseph Goebbels, the “Minister of Propaganda” for Hitler's National Socialist government. Also of note are creatively drawn portrayals of struggling pop singer Marta Kubisova, whose songs were censored and removed from public consumption, and a poignant report on the life of teenage Prague student Zdenek Adamec, who became increasingly appalled by the conditions in the Czech Republic and committed public suicide by self-immolation. Szczygiel explores the communist takeover of Czechoslovakia in searing pieces revealing the true extent of the mass liquidation of “anything that brings simple pleasure” to the public. The author also offers an inventive take on the metamorphosis of the “Cubist personality” of provocative writer Eduard Kirchberger into pseudonym “Karel Fabian.” All of these congruous pieces create a patchwork tapestry of Central European history. Whether chronicling the sculpting of Prague’s monument to Joseph Stalin or the dubious allegiances of writer Jan Prochazka, the atmosphere Szczygiel evokes is glumly foreboding yet intensely interesting.

A controversial, insightful work from Poland’s 2013 journalist of the year.

Pub Date: May 27, 2014

ISBN: 978-1-61219-313-7

Page Count: 304

Publisher: Melville House

Review Posted Online: May 6, 2014

Kirkus Reviews Issue: May 15, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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