Sometimes rabbit holes contain only rabbits.
A Dutch mother-to-be strives to vindicate her future child’s namesake.
Each chapter begins with a week-by-week countdown to the first-person narrator’s due date, which is also her deadline for finding out the truth about her “distant uncle” Frans. That narrator is Marjolijn van Heemstra herself, and this novel, van Heemstra’s second, is drawn directly from life. When she was 18, Marjolijn’s grandmother gave her Frans’ ring since he died without any descendants. In return, Marjolijn has agreed to name her firstborn son after Frans, a hero of the Dutch resistance. Years later (exactly how many is not clear), her pregnancy forces the issue; she is hormone- and conscience-driven to learn whether Frans’ name is worthy of being passed on. After the war, on Dec. 5, 1946, her uncle masterminded a bomb attack on a man named Boer, an alleged Nazi collaborator who was never punished. Frans was prosecuted and imprisoned for what, in peacetime, was a crime. Though preeclampsia threatens, Marjolijn takes furtive trips from her Amsterdam home to the National Archive in the Hague while her partner, D, is at work. The facts defy Marjolijn’s every effort to verify Frans’ heroism. Boer’s collaboration was considered de minimis—he rounded up pigeons for the Wehrmacht. The bomb, delivered in a wrapped package to Boer’s home on St. Nicholas Eve, also killed innocent bystanders, but, of this “collateral damage,” Frans remarked, “These things happen.” The supreme irony: Frans later founded a right-wing group with ties to ex-Nazis. The book is brutally honest about pregnancy, abortion, and living with ambiguity. Wry observations abound, well served by Reeder’s translation; for instance, on the archive’s proximity to a children’s book museum, van Heemstra says, “one wrong turn and you’re in the realm of fairy tales.” In view of the novel’s firm grounding in fact, one wonders why van Heemstra didn’t simply write a memoir. Perhaps because fiction accommodates any number of wrong turns. The novel ends with an existential shrug, but perhaps that’s the point.
Sometimes rabbit holes contain only rabbits.Pub Date: Nov. 24, 2020
ISBN: 978-1-982100-48-3
Page Count: 208
Publisher: Atria
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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