by Mark David Smith ; illustrated by Kari Rust ‧ RELEASE DATE: April 16, 2024
A playful addition to an entertaining and punny series.
This third installment relies on the series’ winning formula: puns galore, a mystery, and unreliable magic.
At the Covenly Fall Fair, the three witches, Yuckmina, Hildegurp, and Glubbifer, run their carnival ride, the Flying Broom, while Jessica, their sensible 9-year-old friend from the earlier books, manages the nearby petting zoo. Soon, they have a mystery on their hands: One of the prize hens, Ruth Bader Ginsbuck; a vest-wearing, top-hatted frog; and the sisters’ cat, Graymalkin, are missing. Can the detectives find them—and also undo some unfortunate romantic and shape-shifting spells, distract a demanding spoiled boy, and avoid falling “fowl” of a chicken-suited villain who seems to have it in for the sisters? Many of the book’s puns will be spotted only by the Shakespeare-fluent—some reference Macbeth, while even more creatively distort Hamlet—but others are universally glee- or groan-worthy. Though the plot is chaotic, short chapters set a brisk pace, and all is resolved (and forgiven) by the end. As usual, the witches don’t always wield their wands effectively, but they can produce any necessary props from their clothing. The wordplay occasionally contains an explicit bit of wisdom (“Just because you don’t understand something doesn’t make it wrong”). Rust’s lively black-and-white illustrations reflect Covenly’s diversity, though the book doesn’t specify the characters’ specific races and ethnicities.
A playful addition to an entertaining and punny series. (caramel apples recipe) (Chapter book. 6-9)Pub Date: April 16, 2024
ISBN: 9781771476041
Page Count: 112
Publisher: Owlkids Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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by Heena Baek ; illustrated by Heena Baek ; translated by Sophie Bowman ‧ RELEASE DATE: Sept. 1, 2021
An enigmatic, quirky representation of an active imagination in search of understanding and companionship.
A child finds connection to the world all around in this Korean import.
The illustrations in this unusual picture book achieve a 3-D effect reminiscent of claymation. The opening scene shows an aerial view of a playground scattered with maple and gingko leaves; a tethered dog watches a child aiming at marbles. Accustomed to spending time alone and solitary play, Tong Tong’s fertile imagination infuses a bag of assorted spherical hard candies with powers that give voice to unlikely speakers, such as the living room sofa and Marbles the old dog, each speaking with Tong Tong to share a sentient perspective. The hard candies also channel the tough love hidden within Tong Tong’s father and Grandma’s bubbly, reassuring voice emanating from another realm. The candies’ magic reveals yet another dimension when Tong Tong is drawn outdoors to witness nature’s beauty as copious falling leaves bid farewell to the season. Through these uncanny exchanges, Tong Tong not only makes surprising discoveries, but also delves into complex emotions, celebrates a continuing relationship with Grandma, and takes courageous steps toward a tantalizing conclusion. The enhanced artwork establishes depth and perspective, featuring details some may find initially unsettling—along with the cryptic, open-ended narrative. That said, depictions of facial expressions are skillful and endearing, and the interplay between text and illustrations will cause readers to linger and ponder.
An enigmatic, quirky representation of an active imagination in search of understanding and companionship. (Picture book. 6-9)Pub Date: Sept. 1, 2021
ISBN: 978-1-5420-2959-9
Page Count: 48
Publisher: Amazon Crossing Kids
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Heena Baek ; illustrated by Heena Baek ; translated by Jieun Kiaer
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