An absorbing coming-of-age tale set against a realistic American backdrop.
A young boy’s life in mid-20th-century America persistently and unpredictably veers off course in this novel.
In many ways, 11-year-old Marky is a typical kid in 1950s Kansas. He collects baseball cards like other boys his age, goes fishing and hunting with his father, and has a good shot at winning his town’s annual turtle race. But his family is not immune to hardships. Marky and his siblings, for example, rarely see their dad, Boyd, who works the graveyard shift at an aircraft plant 30 miles away. Their mother, Gerry, is a manic-depressive; Marky adores her but is perpetually worried about her oscillating moods. After two decades of marriage and six children, Marky’s parents engage in arguments that escalate in frequency and violence. Intense fights send Gerry fleeing to a neighbor’s house only for Boyd to chase her down. With his older siblings out of the nest, Marky becomes the protector of his two little brothers. The three boys stick together when Gerry makes plans to leave her husband for good—and take her sons with her. But Marky’s life takes another turn for the worse, as his parents’ never-ending feud culminates in him and his brothers stranded at a foster farm. Now, they’re saddled with uncompromising farm chores and endure merciless punishments if they stray from their foster parents’ strict rules. Marky struggles to keep up with academics and farm work and to ensure his remaining family stays close. But an indelible figure from his past makes a surprise return and offers him a momentous choice.
Wentling’s novel largely comprises a series of subplots. Some of these spotlight Marky’s happier times with his family. He and his mother design the fastest soapbox car they can for an upcoming derby, although it may be a bit too fast. But the book also has its share of quirky stories and supporting characters. One highlight is Marky’s “unconventional” best friend, Leroy. He’s a tween passionate about earning money and even more obsessed with Dr Pepper, to the point that he practically throws a tantrum when a local grocery store doesn’t have the soda. Unfortunately, the cast is primarily underdeveloped, including Marky’s older brother and sisters and even his younger siblings, who suffer many of the same burdens as he does. Still, the author’s straightforward prose is chock-full of details. A chapter devoted to Marky’s neighbors and family zeroes in on a chiropractor’s sudden arrest and an “odd” couple who die mysteriously, their live-in relative having vanished. Likewise, the author enhances the tale with historical touches, especially surrounding World War II. Gerry is a troubled but capable woman who, during the war, worked at the same plant that employed Boyd. Similarly, stories unfold in such places as a soda fountain and a movie theater, back when a Saturday matinee costs a mere 15 cents. As this work only covers a few years of Marky’s life, Wentling may have a sequel in the works. Nevertheless, the open ending makes a worthy denouement and effectively alludes to the opening chapter.
An absorbing coming-of-age tale set against a realistic American backdrop.Pub Date: N/A
ISBN: N/A
Page Count: 195
Publisher: Manuscript
Review Posted Online: May 18, 2022
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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