The times may change but the stories remain the same in this ambitious, eclectic collection.
Timeless spins on classic Greek myths.
These stories generally begin in media res, leaving the reader to puzzle along with the characters over just what's going on. The protagonist is often given no name, and the context and circumstances are unclear—as is the border between the natural and supernatural. Time itself is apparently an illusion, a construct. Can the narrator be trusted? The narrator’s world? Yet through the accretion of detail the story begins to cohere, often in the manner of a fairy tale or parable, offering a moral that is both instructive and unsettling. “He is drifting a long way from the shore on some dark, interior sea,” describes the plight of the protagonist of “The Quiet Limit of the World,” one of the longest and most expansive tales, apparently covering centuries. Its epigraph invokes Tithonus, the human lover of Eos, goddess of the dawn. Her father (Zeus, presumably) has granted the protagonist immortality, though nobody mentioned eternal youth, so the protagonist is sentenced to wither away without end. "You are going to spend a long time with a very old man. Or you are going to leave him," the father says with a laugh. Many of the stories lack any sort of resolution, making them seem all the more existential. There’s a sense that they exist outside of time, that they have been repeating themselves forever, and will continue to do so, even as the gods of classic myth have given way to science and technology (as in the experimental gene-editing facility of “The Wilderness”). “My Old School” is an outlier here, more a story of contemporary realism than recast myth, yet also offering a moral for its untrustworthy narrator. The author seems to be toying with the essence of storytelling, the way that it has persevered and sustained itself through the ages. “The decades spin past,” he writes. “The blur of dragonfly wings.”
The times may change but the stories remain the same in this ambitious, eclectic collection.Pub Date: Oct. 15, 2024
ISBN: 9780385550864
Page Count: 288
Publisher: Doubleday
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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