Two great fantasists weave threads teased from their previous collaboration, Swan Lake (1989), into a stylish tale of loyalty and rebellion set in a city of Brobdingnagian proportions. Having been raised in secret by her beloved tutor, a princess sets out to confront the brutal upstart who killed her parents and grandparents. She finds in his capitol a million loyalists and former soldiers, all united by an oath of rebellion, waiting for a leader whose coming, a prophecy claims, will be heralded by a dimmed sun and a burning angel. Helprin's whimsical tone and satiric character studies will appeal mostly to adults, but the sheer scale of the city he envisions will enthrall readers of any age; just to get into the palace, the princess becomes one of three thousand employees in the yam section (not to be confused with those for potatoes, rices, and meat pie crusts) of the starch kitchens, later working her way up to flower refresher in one of the smaller dining rooms (for "only a thousand guests"). Van Allsburg's 13 tableaux vary in style: Some are drawn and painted with exquisite precision, others a bit more free in line and composition. The usurper is a towering, scarred figure; the princess is a small, tidy child positively aglow with regal self-possession. As this is framed as a memoir, the outcome is never in doubt; readers will take the most pleasure here not from the plot, but from the richly imagined details. (Fiction. 10+)
Pub Date: Oct. 1, 1996
ISBN: 0-670-86843-4
Page Count: 145
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
BOOK REVIEW
BOOK REVIEW
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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