A penetrating analysis of the social, political, sexual, and cultural worlds that exist behind the four-color Caribbean travel posters. Kurlansky, who reports on the Caribbean for The Chicago Tribune, The New York Times, etc., has wide-ranging interests. Here, he discusses such diverse (and unexpected) aspects of his subject as the politics of hurricanes—how island leaders and their rivals take advantage of natural disasters to further their aims; the effects of AIDS on sexual practices throughout the region—the sections on Castro's handling of the AIDS emergency are particularly engrossing; and the impact of American Fundamentalist proselytizing on traditional West Indian religious groups. The author leavens his material by alternating these in-depth discussions with amusing vignettes of some of his own experiences below the Tropic of Cancer. His description of the arrival of the first McDonald's outlet on Barbados, for example, is hilarious: The Bajans, originally excited at the prospect of Big Macs, considered the burgers disappointing ``little bitty thing[s]'' when they finally appeared. One of Kurlansky's major themes is the danger inherent in a tourism-based island economy—which he believes could lead to the corruption of West Indian culture. He speaks eloquently about the cultural roots of the Caribbean peoples—though he seems not fully aware of the discrepancies that lurk there—pointing out, for example, that ``There are those Caribbeans, usually lighter- skinned, who argue that Caribbeans...use their history as an excuse...to avoid accepting responsibility....Even this is part of the conditioning of their history....To fight this mentality is to fight the legacies of history.'' Should be read by every West Indies traveler and even by old Caribbean hands, who will find here page after page of highly original insights. (Black & white photos—not seen.)
Pub Date: Feb. 6, 1992
ISBN: 0-201-52396-5
Page Count: 288
Publisher: Addison-Wesley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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