An exhaustive and lively assemblage, best for snacking rather than gorging.
Bestselling food historian Kurlansky (Salt, 2002, etc.) collects writing from two millennia that describes with wit and zest cooks, cooking, and cuisines.
Dividing the book into such sections as “Memorable Meals,” and “Their Just Desserts,” Kurlansky relies on a range of authors from Martial to Orwell. In his introduction, he suggests that writing about food has always been as much about culture, philosophy, and natural history, a way for writers to approach “the fundamental subjects of the human condition.” Many of the selections in this comprehensive collection support his point. Celebrating the delights of mint sauce, new potatoes, brown bread, and marmalade, George Orwell characteristically adds that they are all splendid, if you can pay for them. Plutarch, profiling the great gourmand Lucullus, details how this once famous statesman and general in his declining years spent his days (and money) on ostentatiously extravagant feasts. Selections from familiar food writers like M.F.K. Fisher, Elizabeth David, and James Beard cover topics as varied as bachelor cooking, hot chocolate, and the garlic press, which David asserts is both ridiculous and pathetic. More unexpected are the extracts from Thoreau on cranberries and watermelon, Marjorie Kinnan Rawlings on okra and Hush Puppies, and Hemingway on fishing in the Seine. Early cookbook authors like Hannah Glass, Fanny Farmer, and Mrs. Beeton are frequently cited on apple pies, endives, and potatoes; commentators from the 14th, 15th, and 16th centuries add their observations on salt-making (Aobo Tu), olive oil (Platina), and spinach (Giacomo Castelvetro). There are essays on truffles, the preparing of a royal feast (at least 6,000 eggs for each day of the feast), and the best chocolate (found in France according to Brillat-Savarin). Extracts describing the ordinary (bread and scrambled eggs) as well as the exotic (bird nest soup and stuffed dormice) complement more generalized writing on national tastes or the politics and meaning of food.
An exhaustive and lively assemblage, best for snacking rather than gorging.Pub Date: Nov. 1, 2002
ISBN: 0-345-45710-2
Page Count: 496
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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