Next book

WHAT YOU DID NOT TELL

A RUSSIAN PAST AND THE JOURNEY HOME

A simultaneously sweeping and intimate family portrait.

A family’s complicated past recounted in exacting detail.

Beginning with a long interview with his aging father, Mazower (History/Columbia Univ.; Governing the World: The History of an Idea, 2012, etc.) launched an investigation into his family’s history, mining letters, diaries, photographs, extensive archival material, and memoirs by some of the many individuals who touched his family’s life. Central to the story is the author’s paternal grandfather, Max, who had been a militant activist in pre-revolutionary Russia. As a member of the leftist Bund, Max strived for nothing less than “political transformation,” and he suffered the consequences of his beliefs: police surveillance, imprisonment in Siberia, and exile in Switzerland and Germany. “He had been on the run, arrested, and questioned many times over,” Mazower discovered, “and he had sacrificed the prospect of domesticity for the cause of socialism.” In 1909, however, he fled from persecution to seek a job in England as a salesman for a typewriter company. Although he traveled back to Russia in that capacity, he made a permanent home in London, where he married and where his children—including Mazower’s father—were born. Max and his wife were members of the “the turn-of-the-century Russian-Jewish intelligentsia,” who welcomed those who shared their “consuming interest in public questions and public activities.” No longer an activist, Max remained “still engaged, highly informed, and faithful” to socialist values. Mazower’s father also “found political engagement invigorating,” and his friends “tended to be joined under the banner of a higher purpose” even though he spent his career “as a middle manager in one sector of a vast multinational company.” His life, concludes the author, was marked by pragmatism, resilience, and “the pursuit of contentment and well-being.” Through dogged research, Mazower uncovered details about his father’s half brother and half sister, myriad other relatives, teachers, friends, acquaintances, classmates, and a host of individuals whose capsule biographies he duly reports. Although some—T.S. Eliot and Emma Goldman, for example—are well-known and many interesting, the sheer number becomes overwhelming.

A simultaneously sweeping and intimate family portrait.

Pub Date: Oct. 17, 2017

ISBN: 978-1-59051-907-3

Page Count: 336

Publisher: Other Press

Review Posted Online: June 12, 2017

Kirkus Reviews Issue: July 1, 2017

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 61


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 61


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview