A bleak but intermittently humorous psychological novel with an engaging young female arsonist at its center.
A wildly eclectic SF novel set in futuristic San Francisco from Richardson.
Richardson’s vision of San Francisco in the year 2049 is not entirely unrecognizable. The internet is outlawed, and the police force has been partially robotized; yet people are still free to enjoy drunken reveling and general hedonism. The protagonist, Malibu Makimura, is a 19-year-old movie buff who attempts to make a living drawing caricatures at a women-only nightclub. Malibu has suffered from “suicidal ideation” in the past. By 2049, however, her life has improved (she’s no longer homeless, for one), although the earning potential is limited in her field of work. At the nightclub, she arouses the interest of a mysterious woman named Luciana, who some believe is a witch. She keeps a servant nicknamed Max, who resembles the character Max from 1950’s Sunset Boulevard. She also has enough money to pay certain people to do certain odd jobs for her. And, for some reason, she wants Malibu to burn down local cottages, sometimes with the residents still inside. Why cottages? Malibu gets an innate feeling that certain cottages need to be destroyed. The lives of these cottages “had run their course and they were begging to die.” At least that’s what the voices in her head tell her. It helps that Luciana will reward her handsomely for the service. But why cottages? That’s the novel‘s central mystery. That certain structures deserve a fiery death (at least in Malibu’s mind) also creates some darkly humorous undertones. At one point an inexplicable thought surfaces in Malibu’s head: “Yes, it wants to die,” says a voice in her head as she examines a cottage. Some aspects of Malibu’s life are less than inviting. Her father’s history with LSD is detailed, although this backstory proves to be an undramatic dead end. Likewise, a flashback relating to Malibu’s stay in a mental health facility is a detour that adds little substance to the narrative. This odd, fire-starting protagonist will keep the reader guessing throughout the novel.
A bleak but intermittently humorous psychological novel with an engaging young female arsonist at its center.Pub Date: Oct. 6, 2022
ISBN: 9784824151940
Page Count: 298
Publisher: Next Chapter
Review Posted Online: Jan. 3, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.
A Wallace & Gromit dream is more of a nightmare in this darkly farcical science fantasy in which the moon inexplicably becomes…well, not green, but decidedly dairy.
When the moon and every lunar sample on Earth transform into a cheese-like substance, it seems amusing at first, but the appearance of this newly organic, extremely unstable satellite has far-reaching, apocalyptic consequences. A variety of U.S. citizens—disappointed astronauts from newly cancelled lunar missions, scientists whose understanding of the universe has been entirely upended, writers frantically adapting their pitches, retirees at a rural diner finding solace in their friendship, a small church community looking for divine answers, bickering cheese-shop owners whose product gets both welcome and unwelcome attention, the ultra-wealthy owner of an aerospace company with a spectacularly self-involved agenda, bank executives seeking a financial angle, and government officials desperately scheduling press conferences—respond in ways grand and petty, generous and self-serving. Those responses can only escalate when a cheesy lunar fragment threatens to destroy all life on our planet. Scalzi’s premise is absurd, but it’s merely the pretext to take a multifaceted, satiric look at how Americans deal with large-scale crisis, something we’re abundantly and recently familiar with, and will no doubt experience again in the not-so-distant future. He writes of denial, conspiracy theories, anger directed at the wrong people, unscrupulous political machinations, and multiple attempts at profiting from the end of the world, for as long as it lasts. There are moments of unexpected kindness and generosity, too. Of course, Scalzi takes aim at his favorite corporate, social, and government targets, as well as at the cheap sentiment that crisis always seems to inspire (as exemplified by a catastrophic Saturday Night Live episode).
A ridiculous concept imbued with gravity, charm, humor, plausible cynicism, and pathos—and perhaps the merest touch of spite.Pub Date: March 25, 2025
ISBN: 9780765389091
Page Count: 336
Publisher: Tor
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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