by Mark Sullivan ‧ RELEASE DATE: July 1, 2003
A trifle precious in its sentiments but animated by a real sincerity and freshness of outlook.
A grief-stricken teenager strenuously attempts to put to rest the ghost of his dead father—literally.
As childhood traumas go, the death of a father has to be near the top of the list. On Jonah Hart’s sixth birthday, his father drank too many martinis at lunch, drove his Porsche off the road, and decapitated himself going through the windshield. For Jonah, now 15, the years since have gone by in a blur. Ostensibly a normal ninth-grader, Jonah hangs out with best friend Ross, has a crush on classmate Sara, and is as bored as any nine-grader with the routines of school and homework. But Jonah has one big difference from his peers: He sees ghosts. Like, lots of them, practically everywhere (they especially like to hang out at the hardware store for some reason). It began at his father’s funeral, when Dad appeared (sitting beside his embalmed corpse) during the eulogy. Since then, Jonah has seen and talked to his father many times—in addition to others. There is the dead janitor at school who runs after Jonah in the hallways shouting obscenities at him, and the silent woman with the bullet-hole in her forehead who appeared at the swimming hole one day. The worst are the two old ladies who’ve camped out in the family’s living room, brandishing guns and making lewd gestures whenever Jonah has Sara or Ross over. Eventually, Jonah’s behavior is noticed and he’s is referred to a psychiatrist, but from newcomer Sullivan’s description this doesn’t look like a mental problem so much as an extended and very literal bout of mourning. When Jonah’s mother is diagnosed with breast cancer, he faces a new crisis, one that finally leads him to ask whether he’s being haunted by the dead or they’re being held by him. From what his father tells him, Jonah believes that the dead can find peace. Can the living?
A trifle precious in its sentiments but animated by a real sincerity and freshness of outlook.Pub Date: July 1, 2003
ISBN: 1-888451-04-1
Page Count: 196
Publisher: Akashic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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