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THE IMPOSSIBLE CLIMB

ALEX HONNOLD, EL CAPITAN, AND THE CLIMBING LIFE

Fans of mountaineering will find this a winner.

A thrills-and-chills—and occasional spills—view of the mad heroes of free climbing, scaling mountain faces without ropes.

You’d have to be out of your mind to head up the 3,000-foot-high cliff face of Yosemite’s El Capitan without equipment of modern mountaineering, the lightweight chocks and clips and ropes that keep a person from plummeting into the void. Yet, as mountain guide Synnott writes, building on his reporting for National Geographic, that out-of-mindness defines young Alex Honnold, “the world’s greatest free soloist,” who has developed the habit of sizing up some of the planet’s most formidable mountains and then scrambling up them without the benefit of equipment. Old-school climbers have looked at him with combined awe and despair, and, as the author writes, Honnold does have a talent for alienating potential allies: “He wore his ego right on his shirtsleeve like the logo of one of his sponsors.” Still, there’s no question he has bragging rights; in one of his well-publicized exploits, Honnold free soloed El Capitan, Half Dome, and Mount Watkins, all three of Yosemite’s big three rock faces, in less than 19 hours altogether. “This monster linkup entailed 7,000 vertical feet of difficult rock climbing,” writes Synnott, “seventy-seven pitches up to 5.13a.” If the last clause contains numbers that aren’t immediately meaningful to you, no worries: One of the great virtues of this book is the author’s cleareyed explanations of how alpinists parse mountains, rating them for difficulty and then doing the calculus of who qualifies as the world’s leading climber on the strength of those numbers. Old-timers agree: Honnold may be ill-mannered and self-absorbed, but he’s got the right stuff, doing what previous generations of climbers deemed impossible. As for lessons for would-be climbers, Synnott offers the cardinal one in the voice of one of the old-timers: “Don’t fall.”

Fans of mountaineering will find this a winner.

Pub Date: March 5, 2019

ISBN: 978-1-101-98664-6

Page Count: 416

Publisher: Dutton

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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