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AUTOBIOGRAPHY OF MARK TWAIN, VOLUME 1

THE COMPLETE AND AUTHORITATIVE EDITION

There’s plenty of vinegar here but plenty of the homespun and funny Twain as well. Essential for serious students of his...

A century after his death, the great American writer and controversialist speaks plainly—and sometimes not so nicely—from beyond the grave.

Earlier editions of this autobiography appeared throughout the 20th century, but Twain instructed that the unexpurgated version not appear for a century to spare the feelings not just of individuals, but also of their grandchildren. The great-grandchildren are on their own, however, and here Twain lights in with delight on unscrupulous publishers, swindling partners, unethical corporate barons and politicians. As he announced in planning his memoirs, which he began in 1870 and worked on until nearly the end of his life, Twain was not going to bind himself to the rules of chronology (and perhaps not those of the strict truth, either) but instead, would indulge his storytelling wont, being “as digressive and discursive as he likes,” in the words of the volume editors. That is just so, and Twain ambles here and there, from childhood to reminiscences of his friendship with U.S. Grant, recording his adventures and misadventures and his wide travels. From this volume, we learn, for instance, that England was woefully behind the times in telephony in 1896 (“Years ago there was a telephone system in England, but in the country parts it is about dead, and what is left of it in London has no value”), that he was 10 when he thrilled to the accomplishments of the Antarctic explorer Charles Wilkes, and that Twain was a resolute and angry anti-imperialist and a scourge of politicians more fiery than even his image of old would have it—even though, his editors note, he was a Republican as early as 1868.

There’s plenty of vinegar here but plenty of the homespun and funny Twain as well. Essential for serious students of his work and readable and revealing for all its surrounding scholarly apparatus.

Pub Date: Nov. 15, 2010

ISBN: 978-0-520-26719-0

Page Count: 736

Publisher: Univ. of California

Review Posted Online: June 11, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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