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AUTOBIOGRAPHY OF MARK TWAIN, VOLUME 3

THE COMPLETE AND AUTHORITATIVE EDITION

Of considerable interest to all readers of Twain but especially to working writers following Twain’s habit of tracking his...

In which the greatest of American writers goes into the night—and not such a good night at that, and not at all gently.

Covering just the last couple of years in Twain’s long life, this is the concluding volume of the masterful University of California edition of his autobiography: unexpurgated, cross-referenced, and richly annotated. (Few modern readers would understand, for instance, that Twain was alluding to a Thackeray story in calling one unfortunate fellow “Jeames.”) The swan song reinforces things well established by its predecessors. For one, Twain lived a whirlwind life, interested in almost everything, particularly when it was cool, modern, and gadgety; he was always investing in tools and toys, sometimes losing his shirt thereby. For another, Twain, cynic though he appeared to be, tended to trust people, sometimes at great cost. A large section of this volume is devoted to an aggrieved account of a yearslong episode in which members of Twain’s staff bilked him of money, land, and jewels, taking advantage of the old man. Even when angry, though, the author puts humor to work, writing of one of them, “the first thing I ever noticed about Miss Lyon was her incredible laziness. Laziness was my own specialty, & I did not like this competition.” Elsewhere, Twain, a jet-setter before jets, writes with both humor and a certain archness of people like Theodore Roosevelt and Andrew Carnegie, the latter of whom he sends up for philanthropy from the supposed kindness of his heart: “He has bought fame and paid cash for it,” Twain writes, “he has deliberately projected and planned out this fame for himself; he has arranged that his name shall be famous in the mouths of men for centuries to come.”

Of considerable interest to all readers of Twain but especially to working writers following Twain’s habit of tracking his astonishing writing income—even though, as he writes, “if I should run out of all other nourishment I believe I could live on compliments.”

Pub Date: Oct. 15, 2015

ISBN: 978-0-520-27994-0

Page Count: 792

Publisher: Univ. of California

Review Posted Online: Aug. 11, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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