A thoroughly well-organized rendition of this classic, snarky work.
Editor Trauring presents a newly annotated edition of Mark Twain’s 19th-century travelogue.
Twain’s account of a five-month-long excursion overseas was originally published in 1869. In 1867, the author set out on a ship, the Quaker City, on a voyage to the Holy Land. The journey took Twain to places as disparate as the Azores and Nazareth. He viewed a morgue in Paris, he and his fellow passengers were “fumigated” in Italy, and in Egypt he toured the inside of a pyramid. Along with way, he offers his humorous and critical observations. On the island of Fayal, he remarks, “Nobody comes here, and nobody goes away”; it is a place where any sort of news “is a thing unknown.” He describes Jerusalem as a city so small that a fast walker could go outside the walls and “walk entirely around the city in an hour.” This edition features some 1,200 new footnotes meant to cover “people, places and events mentioned by Twain.” There is also additional supplementary material, including articles written by three other passengers from the trip. Illustrations from the original publication are restored in full. Twain’s adventure through foreign lands is an enticing one as readers get to experience travel in the 1800s through one of America’s most famous voices. (Twain lives up to his cantankerous reputation when he refers to the Mosque of St. Sophia—known now as Hagia Sophia—as “the rustiest old barn in heathendom.”) He doesn’t disdain everything; as Twain later reflects on the sea at night, “in the dirges of the night wind the songs of old forgotten ages find utterance again.” Some of the accompanying new footnotes feel unnecessary: readers probably don’t need to be informed of what the Azores are. But ultimately, Twain’s fascinating journey finds a new level of accessibility in this volume.
A thoroughly well-organized rendition of this classic, snarky work.Pub Date: June 8, 2024
ISBN: 9798990999817
Page Count: 736
Publisher: Quint Books
Review Posted Online: Oct. 7, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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