Much like building a bridge stone by stone, this read requires painstaking effort and patience.
Years after the death of their mother, the fourth son in an Australian family of five boys reconnects with his estranged father.
Matthew Dunbar dug up the old TW, the typewriter his father buried (along with a dog and a snake) in the backyard of his childhood home. He searched for it in order to tell the story of the family’s past, a story about his mother, who escaped from Eastern Europe before the fall of the Berlin Wall; about his father, who abandoned them all after their mother’s death; about his brother Clay, who built a bridge to reunite their family; and about a mule named Achilles. Zusak (The Book Thief, 2006, etc.) weaves a complex narrative winding through flashbacks. His prose is thick with metaphor and heavy with allusions to Homer’s epics. The story romanticizes Matthew and his brothers’ often violent and sometimes homophobic expressions of their cisgender, heterosexual masculinity with reflections unsettlingly reminiscent of a “boys will be boys” attitude. Women in the book primarily play the roles of love interests, mothers, or (in the case of their neighbor) someone to marvel at the Dunbar boys and give them jars to open. The characters are all presumably white.
Much like building a bridge stone by stone, this read requires painstaking effort and patience. (Fiction. 16-adult)Pub Date: Oct. 9, 2018
ISBN: 978-1-984830-15-9
Page Count: 544
Publisher: Knopf
Review Posted Online: Aug. 5, 2018
Kirkus Reviews Issue: Aug. 15, 2018
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A very full mixed bag.
In the sequel to Furyborn (2018), Rielle and Eliana struggle across time with their powers and prophesied destinies.
Giving readers only brief recaps, this book throws them right into complicated storylines in this large, lovingly detailed fantasy world filled with multiple countries, two different time periods, and hostile angels. Newly ordained Rielle contends with villainous Corien’s interest in her, the weakening gate that holds the angels at bay, and distrust from those who don’t believe her to be the Sun Queen. A thousand years in the future, Eliana chafes under her unwanted destiny and finds her fear of losing herself to her powers (like the Blood Queen) warring with her need to save those close to her. The rigid alternation between time-separated storylines initially feels overstuffed, undermining tension, but once more characters get point-of-view chapters and parallels start paying off, the pace picks up. The multiethnic cast (human versus angelic is the only divide with weight) includes characters of many sexual orientations, and their romantic storylines include love triangles, casual dalliances, steady couples, and couples willing to invite in a third. While many of the physically intimate scenes are loving, some are rougher, including ones that cross lines of clear consent and introduce a level of violence that many young readers will not be ready for. The ending brings heartbreaking twists to prime readers for the trilogy’s conclusion.
A very full mixed bag. (map, list of elements) (Fantasy. 17-adult)Pub Date: May 21, 2019
ISBN: 978-1-4926-5665-4
Page Count: 608
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 19, 2019
Kirkus Reviews Issue: March 15, 2019
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