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THE FARMER AND THE MONKEY

A (mostly) heartwarming follow-up visit.

In this wordless picture book, Frazee’s lonely farmer hosts another visitor from the train on the horizon.

The elderly White gent first met in The Farmer and the Clown (2014) walks home from a picnic, looking rather down, unaware he is being followed by a small monkey in a red fez and yellow frill around its neck. As he settles into his empty house, he notices the smiling monkey at the window. He lets the monkey in the front door, but after a dizzying spread depicting the monkey running amok, the farmer sends the monkey out. The frowning monkey spends the night outside as snow begins to fall. The farmer awakes to deep snow and immediately goes out to rescue the monkey. After a warm fire, soup, a story, and falling asleep on the farmer’s shoulder, the monkey spends two nights at the farmer’s house; on the day in between, the farmer and his animals tolerate the monkey’s loud, wild ways. Finally, like the clown in the book before him, the monkey hears the circus train coming and goes on its way, smiles all around. Frazee’s soft colors, careful lines, and masterful compositions work their magic once again to evoke mood and feeling in a way that children can immediately grasp. The experience hits adult readers just as powerfully, though readers who decry picture-book depictions of monkeys for reinforcing negative stereotypes of Black people will find no mitigation in the monkey’s antics. (This book was reviewed digitally with 8.3-by-20.6-inch double-page spreads viewed at 54.1% of actual size.)

A (mostly) heartwarming follow-up visit. (Picture book. 5-9)

Pub Date: Sept. 22, 2020

ISBN: 978-1-5344-4619-9

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: June 29, 2020

Kirkus Reviews Issue: July 15, 2020

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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