by Marla Frazee ; illustrated by Marla Frazee ‧ RELEASE DATE: Oct. 2, 2018
A promising start dissolves to an undetermined, unsatisfying conclusion.
A cranky dog faces the consequences of his crankiness in this picture book.
Author/illustrator Frazee’s pencil and gouache illustrations show a cranky, scowling brown dog—Little Brown—sitting alone against the chain-link fence of a bare-bones dog park. The hand-lettered text is a subtle touch, infusing a friendly warmth into the physical look of the words, and the illustrations are done in a warm, muted palette, and readers may subconsciously begin to hope that with all this visual warmth, Little Brown will find playmates at last. It’s not that he doesn’t have plenty of opportunity—there are many other dogs in the park. So when a ball rolls his way and Little Brown grabs it, this looks like the beginning of the end of Little Brown’s isolation and crankiness. But he then decides to grab the other toys, and in a jiffy, he’s collected a whole pile and stands on top of them, like a dragon hoarding treasure. Now there is a “dilemma.” The dogs wonder if they should play with Little Brown in order to get their toys back (or would that make them cranky too?), and Little Brown wonders if he gives it all back, will they play with him, and what if they don’t? Weirdly, this dilemma remains unresolved, leaving readers to continue the pondering: It becomes time to go and “maybe tomorrow / they would know what to do.”
A promising start dissolves to an undetermined, unsatisfying conclusion. (Picture book. 4-8)Pub Date: Oct. 2, 2018
ISBN: 978-1-4814-2522-3
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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