by Marlene Targ Brill & illustrated by Michael Garland ‧ RELEASE DATE: Feb. 1, 1998
A picture book for older readers, based on fact and done in diary form, tells the story of Orion Howe, a 12-year-old Civil War drummer boy who was awarded the Congressional Medal of Honor and who was the subject of an ode in the Atlantic Monthly, reprinted at the back. Following his father and younger brother, Lyston, into service, Orion marches around the country, endures hardship and privation, sees action several times, and experiences the horrors of war. At Vicksburg he is wounded while getting ammunition, but completes his task before going to the field hospital. He is sent home, but returns and re-enlists when he heals. A rather flat, carefully colorless narration allows the power of the story to come through without distraction. Orion's diary entries reveal aspects of the war without wallowing in gore; in addition to the battles, he effectively conveys the tedium, mud, disease, hunger, and fear that accompany the soldiers. Abetted by Garland's startling paintings, which depict the faces in a photo-realistic fashion but allow other details in the scenes to remain as sketchy as memory, Brill's book succeeds as fiction, and will have many uses in the history classroom. (bibliography, further reading) (Nonfiction. 9-11)
Pub Date: Feb. 1, 1998
ISBN: 0-7613-0118-6
Page Count: 48
Publisher: Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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by Marlene Targ Brill & illustrated by Janice Lee Porter
by Candace Fleming ; illustrated by Mark Fearing ‧ RELEASE DATE: Sept. 26, 2017
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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by Candace Fleming ; illustrated by Deena So'Oteh
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by Candace Fleming ; illustrated by Eric Rohmann
by Sallie Ketcham ‧ RELEASE DATE: March 1, 1999
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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