by Marlene Targ Brill ‧ RELEASE DATE: Aug. 1, 2018
Young readers will recognize Dolores Huerta’s rallying cry “Yes, we can!” even as they are inspired by her vision for a...
Meet community organizer Dolores Huerta, who travels from poverty to political victory, becoming only the second Mexican-American woman in history to be honored with a Presidential Medal of Freedom.
A biography for the times, Brill’s narrative tells the story of a farm laborer’s daughter born during the Great Depression. Raised in Stockton, California, where her father, brother, and nearly everyone she knew picked vegetables and fruits for a living, Dolores lamented the poverty and the brutal conditions under which her community was forced to labor. Her sense of injustice only grew when the excellent work she did at school earned her an accusation of plagiarism. Spurred to action by her life experiences and a desire to help her people, Dolores joined forces with César Chávez to start the United Farm Workers Union. Borrowing Mahatma Gandhi’s philosophy of nonviolent protest, they set out to change the way their people were treated with a successful grape strike that gained them nationwide sympathy. Weaving in quotes from Huerta and others, Brill paints a vivid picture of her subject and calls attention to a civil rights leader who was often overshadowed by her male counterpart even as she fought sexism in her own community. A helpful timeline, glossary, and “Did You Know?” sections in each chapter serve as aids in this historic biography. An excellent read for anyone hoping to believe one person can make a difference.
Young readers will recognize Dolores Huerta’s rallying cry “Yes, we can!” even as they are inspired by her vision for a better world. (Biography. 7-14)Pub Date: Aug. 1, 2018
ISBN: 978-0-8214-2330-1
Page Count: 136
Publisher: Ohio Univ.
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by Thomas King ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Oct. 3, 2017
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Natalie Labarre ; illustrated by Natalie Labarre ‧ RELEASE DATE: April 14, 2020
Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book....
From funeral clown to cheese sculptor, a tally of atypical trades.
This free-wheeling survey, framed as a visit to “The Great Hall of Jobs,” is designed to shake readers loose from simplistic notions of the world of work. Labarre opens with a generic sculpture gallery of, as she puts it, “The Classics”—doctor, dancer, farmer, athlete, chef, and the like—but quickly moves on, arranging busy cartoon figures by the dozen in kaleidoscopic arrays, with pithy captions describing each occupation. As changes of pace she also tucks in occasional challenges to match select workers (Las Vegas wedding minister, “ethical” hacker, motion-capture actor) with their distinctive tools or outfits. The actual chances of becoming, say, the queen’s warden of the swans or a professional mattress jumper, not to mention the nitty-gritty of physical or academic qualifications, income levels, and career paths, are left largely unspecified…but along with noting that new jobs are being invented all the time (as, in the illustration, museum workers wheel in a “vlogger” statue), the author closes with the perennial insight that it’s essential to love what you do and the millennial one that there’s nothing wrong with repeatedly switching horses midstream. The many adult figures and the gaggle of children (one in a wheelchair) visiting the “Hall” are diverse of feature, sex, and skin color.
Chicken sexer? Breath odor evaluator? Cryptozoologist? Island caretaker? The choices dazzle! (Informational picture book. 7-9)Pub Date: April 14, 2020
ISBN: 978-1-5362-1219-8
Page Count: 48
Publisher: Nosy Crow
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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